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Reviewing Roger Ebert

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In a while I used to hate movie critics. Not because they seem to pan every movie that came out since the Golden Age of Hollywood. It’s because most of them seem to think that every movie that comes out must deliver a new perspective on the human nature.

There are very few movie critics that understand the simple fact that cinematography is divided into genres and each genre has its own universe. In this universe, each production must be measured according to the genre’s own metrics, not by some general values.

Movies are made to entertain and as such they aim at as many goals as there are people since each person has its own desires when it comes to movies.

In this respect, the brilliance of Roger Ebert is that he seems to be one of the view that takes each movie through the perspective of its genre. An action movie is judged by its premise and by its delivery of its promises of gripping violence. A satyre needs to comically point out the flaws of its victim.

Roger Ebert’s usual victim are the stereotypes which come aplenty in summer blockbusters and the flat refusal of some movie makers to underline what makes their work different. That’s not to say I always agree with him, however. I definitely don’t see why he gave (for example) 2.5 stars to Centurion when the movie barely deserves 1, if we would apply the same measure he applied to The Last Airbender.

Nevertheless, of all movie critics I definitely prefer to let Roger Ebert guide my movie going experience – and rent everything else!

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What’s in a name?

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Movie star Chiwetel Ejiofor, the famed actor who starred in movies such as Endgame, Serenity, the blockbuster 2012 and Love Actually is certainly endowed with charisma and talent. However, he would definitely be a much greater presence at Hollywood and he would definitely gather a larger fan base if only he would have a more prononceable name.

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There may be nothing new to the fact that today I watched a movie, but somehow this particular movie left a deeper impression on me than I would’ve thought possible. The movie’s name? Pirates of Silicon Valley.

Pirates of Silicon Valley is a simple movie that begs to be watched again and again. Not because of the story because the story itself may feel dull and in fact the people whom it addresses already know the story. It is the story of a few nerds who conquered the world and the sacrifices they made.
continue reading…

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In the year 1978, science fiction took the Frankenstein myth and placed it in an original shell, serving it on television under the name Battlestar Galactica. The series grew, creating a myth and then a sequel, proving to be way ahead of its times. In story and in characters, Battlestar Galactica outmatched even the cult series Star Trek. However, in characterization it was so ahead of its time that it seemed to miss on the science part of science fiction. The exotic novelty people found in Star Trek, the technobabble, the many weird aliens and many others were missing and eventually Galactica sank honorably. continue reading…

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It took me quite a lot of time to get myself to watching Michael Moore’s latest production: Capitalism – a love story. Although I like Michael Moore’s way of thinking and his vision about how things should be, I am not too much of a fan. Mostly because his movies are loaded with unnecessary forced humor and while some acid sarcasm is always welcomed, I am completely against the forced irony he pushes in. continue reading…

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Tim Burton is by excellence the contemporary master of the gothic movie and his work speaks by itself: Beetlejuice, Batman Returns, The Nightmare Before Christmas, The World of Stainboy. All of them speak highly of a director completely taken over by something dark, mysterious and multi-layered views of a gothic world. The 2010 release of Alice in Wonderland join this gothic family with a style that blends Lewis Carroll’s amazing tale of one girl’s exploits in a fantasy world with Burton’s dark touch.
What makes the movie great is that Burton goes beyond and extend Lewis Carroll’s work. I’m pretty sure everyone remembers Alice in Wonderland and its symbolistic value. The White Queen and the Red Queen representing the world of reason (the White Queen is backed by chess pieces, the queen knows the value of life) against the world of pure chance (the Red Queen is backed by a deck of playing cards, her decisions are the result of momentary lapses), the insanity of those caught in between (the Hatter, the Hare and the isolationist Cheshire cat). continue reading…

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White Oleander

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Of all the movies I’ve seen recently, this one seems to be the most impressive and I can say it’s left definitive scars on me, probably because it came at the right time … allowing me to better understand the story. continue reading…

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Avatar?

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I haven’t seen many films that would stir such mixed impressions as James Cameron’s Avatar. Reviews are terribly mixed even if the average impression leans towards positive. I guess the heavy advertising around the movie manage to create a wave of high expectations that were never truly and completely fulfilled. continue reading…

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Grisham's movies

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I am sure that John Grisham’s name is far from unknown to commercial literature devourers. As a former lawyer himself, Grisham endows his novels with amazing detail with respect to legal procedures and practices while giving his characters a great degree of personality. continue reading…

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Star Trek – 2009

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Space… the Final Frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.

In 1966, nobody had the vaguest ideas how these words would change the world. From computer science to medicine and architecture, almost every chapter of art and knowledge was somehow inspired or touched by what is now known as the most influential sci-fi series of all times. Star Trek has inspired scientiest, philosophers, visionaries and has shaped the childhood as well as the adult life of millions. continue reading…

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